Lissi who loves her reluctant cousin Fred, hires companion Charley to make Fred jealous, but also the dancer Kitty jealous, who loves Charley.

Residing in a castle in the Carpathian Mountains, Hungarian nobleman Vasile Disecu becomes infatuated with Suzette, the daughter of his neighbor. He mistakes Stefana, a maid who is secretly in love with him.

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作为妻子、母亲和成功的律师助理，她在兼顾责任方面的压力让Emma Burke疲惫不堪。因此，Emma很高兴有机会短暂离开波士顿的家，前往阳光明媚的夏威夷。然而，这并不是一次愉快的旅行：她承诺履行夏威夷出生的代孕母亲的遗愿。离开丈夫迈克照顾他们的两个孩子，艾玛从小第一次来到夏威夷，在那里她与儿时的朋友卡拉团聚，卡拉是她已故代孕父母的英俊儿子。

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The spoiled Leonora swears eternal revenge on her classmate Cassie out of jealousy and ensures that the orphan girl flies from boarding school. Years later, Cassie marries the stud owner Tyrone, the ex-lover of Leonora's mother. Leonora has an intrigue that nearly ruins Tyrone and puts a strain on his marriage. Cassie is miscarrying. After the accidental death of Tyrone she challenges her rival to an all-important horse race.

What a movie, if you can call it that. If you want to see something completely different from, lets say EVERYTHING, you found it. This is hardcore trash at its best. I've NEVER seen a film more bizarre. Something between a kinder-garden birthday-party and a harsh drug-trip with light splatter. Bizarre costumes in even more alienating backgrounds. Dialogues like a tape recording in an asylum. Actors who would never call themselves actors. I just wish there would be some screen-shots because they already capture the weird madness of the whole movie. If you find some you'll be amazed about their artistic character, but most of the movie is like a liquid LSD painting from the late 60s. Concerning to the technical work it's just rubbish. Shaking cameras, sometimes out of focus, terrible light and sound. I guess it's just this small world feeling created by this movie which gets the viewer slowly. It has its subliminal effects and a stupid but sometimes very strange humor. If you want to know the effects of mind expanding drugs just watch this flick and you get a pretty good impression. With a super-small amount of money, people and equipment Wenzel Storch captures theses supernatural moments very realistically. You won't find that too often in film or painting. I guess this movie stands in a line with "Elmer", "Fear and Loathing", "Tunguska" and the extreme weird stuff from Bunuel and Dali in the early 20s even though it has no real message in comparison to the just mentioned films. If you're looking for the extremes in film-making and you dig the absurd extravaganzas from Buttgereit (who contributes in this one) and Schlingensief, you can find entertainment in "Sommer Der Liebe" "Kopf oder Beine?" "Beine?" "BEINE!!!"

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